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Game Review: Band Frontman Jason Williamson Takes On Character in Sceptical Examination at 90s Rave Culture

Produced by Bristol sound co-founder Geoff Barrow, this sharp-edged though slight debut feature turns a sceptical eye on 90s rave culture. Self-serving drug user David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to burgle his own family home. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Confrontation

The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The bigger point – that the rave-era youth were mainly focused on number one – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Poacher arrives, enraged after David kills his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Woodsman denying his container of cider, intent on dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Sensibility

There is only one important plot development, but it results in a comically executed chaotic run on the woodland paths that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full lysergic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

Game releases in UK and Irish theaters from November 17.

By

Joel Clark

A seasoned sports journalist and entertainment critic with over a decade of experience covering major events and cultural trends.

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